Picnic at Hanging Rock. A new play adapted from Joan Lindsay's novel
author: Joan Lindsay stage adaptation, dramaturgy: Małgorzata Maciejewska director:Lena Frankiewicz stage adaptation and dramaturgy: Małgorzata Anna Maciejewska set, costume and lighting design:Katarzyna Borkowska music:Cezary Duchnowski choreography:Marta Ziółek video:Natan Berkowicz stunt & special effect: Andrzej Słomiński
The new theatrical version of the Australian prose classics. 1900. On a hot, stormy day, Mrs Appleyard's boarding school residents go on a picnic near Hanging Rock.
author: David Foster Wallace title:Niewyczerpany żart original title:Infinite Jest translator: Jolanta Kozak stage adaptation and direction: Kamil Białaszek set design: Julia Zawadzka costume design: Sławek Blaszewski lighting design: Tadeusz Pyrczak choreography: Bartosz Dopytalski multimedia: Michał Mitoraj, Hubert Kozarzewski music, sound engineering: Mateusz Augustyn, Bartłomiej Gargula (Barto Katt)
Work of Kamil Białaszek intersects with a legend of postmodernism, David Foster Wallace, whose Infinite Jest is considered a milestone in American literature of the 1990s. This disturbingly timely, over 1,000-page novel raises questions about the paths we take due to our thoughtless pursuit of entertainment and media addiction.
author: Jan Brzechwa original title: Pchła Szachrajka music: Maciej Małecki director: Anna Seniuk
What a rumpus! Endless transformations, games and dances. Tremendous fun and great laughs – not just for kids! Show recommended for young audiences of ages 4 and up.
author: William Shakespeare original title: The Tragedy ofHamlet, Prince of Denmark translator: Stanisław Barańczak direction: Jan Englert set design: Wojciech Stefaniak costume: Martyna Kander music: Aleksandra Gryka choreography: Tomasz Wygoda light design: Karolina Gębska video: Jagoda Chalcińska fight choreography: Przemysław Wyszyński
Jan Englert crowns his twenty-eight seasons of artistic work at the National Theatre with a performance of Hamlet. Should we believe the spirits of our ancestors? Should we believe anyone, for that matter? What is true and what is false at the Court of Elsinore?
author: Kazimierz Brandys original title: Jak być kochaną director: Lena Frankiewicz stage adaptation and dramaturgy: Małgorzata Anna Maciejewska set and lighting design: Agata Skwarczyńska music:Kamil Pater choreography: Marta Ziółek video projections: Szymon Rogiński fight choreography:Przemysław Wyszyński
This is the performance about love and moral responsibility for another person as well as the mechanisms controlling human memory. The dramatisation of the story by Kazimierz Brandys.
author: Pablo Remón original title: Los farsantes translator: Paulina Eryka Masa direction: Grzegorz Małecki set and costume design:Martyna Kander music:Michał Lamża stage movement: Jarosław Staniek lighting design: Paulina Góral video:Jagoda Chalcińska
“When I’m not acting, life is black and white,” says the heroine of Pablo Remón’s play. And thus she makes her acting dreams come true. Others also crave success. But what is the price of trying to be the best version of oneself?
author: Maria Wojtyszko original title:Piekło – Niebo direction: Jakub Krofta dramaturgy: Maria Wojtyszko set and costume design:Matylda Kotlińska music:Grzegorz Mazoń lighting design:Damian Pawella video: Jakub Lech stage movement: Leszek Bzdyl
Heaven and Hell is a moving family comedy full of fairy-tale elements. In a familiar, earthly reality, we are able to spy on the inhabitants of Heaven and Hell who are usually invisible – archangels, devils, Saint Peter, the Virgin Mary, and even God himself! The dialogue sparkles with humour, and the story surprises not only the audience, but also the characters in the drama. Show recommended for young audiences of ages 10 and up.
author: William Shakespeare original title: The Tragedy ofKing Lear translator: Stanisław Barańczak direction: Grzegorz Wiśniewski set and light design, costume, video: Mirek Kaczmarek music: Aleksandra Gryka choreography: Wioleta Fiuk
The King of Britain divides his kingdom between his three daughters to free himself from worries and hardships. However, before the decision he poses a question: which of you loves me the most? Can he expect honesty? Can honesty convince him? Is it possible to give up power, but not a desire to be obeyed? And can one understand one’s own declining years?
author: Jarosław Iwaszkiewicz text based on the film script by Jerzy Kawalerowicz and Tadeusz Konwicki director, set and lighting design: Wojciech Faruga costumes design: Konrad Parol music: Teoniki Rożynek dramaturgy: Julia Holewińska stage movement: Krystian Łysoń
A young exorcist, Father Suryn, arrives in Ludyń on the outskirts of the former Polish-Lithuanian Commonwealth. It is said that the local monastery was taken over by the devil. What do nuns experience?
A panorama of various Polish fates, social themes, and reflections on transience and ecology. Five premieres, including a world premiere.
THE POLISH THERMOPYLAE
In his first play at the National Theatre, director Jan Klata has opted for Tadeusz Miciński's The Polish Thermopylae. Opening Night: 22 November 2025
INFINITY JEST
Infinite Jest by David Foster Wallace directed by Kamil Białaszek | Opening Night: 13 December 2025
CHARLATANS
“When I’m not acting, life is black and white,” says the heroine of Pablo Remón’s play. Charlatans directed by Grzegorz Małecki, Polish preview: 13 June 2025.
HAMLET
Jan Englert crowns his twenty-eight seasons of artistic work at the National Theatre with a performance of Hamlet.
HEAVEN AND HELL
Although Maria Wojtyszko's play touches upon the painful subject of losing loved ones, Jakub Krofta's deft staging provides light entertainment for the whole family.
OTHER DELIGHTS
This adaptation of the novel Other Delights is the second staging of one of Jerzy Pilch's works at the National Theatre, following The Holy Father's Skis.
FAUST
Faust is a story based on an ancient legend of a scholar who yearns so much for just a moment of happiness that he makes a pact with the devil.
A DREAM PLAY
After the well-received Alice's Adventures in Wonderland, Sławomir Narloch returned to the National Theatre with another premiere – A Dream Play by Strindberg.
KING LEAR
King Lear may be Shakespeare's boldest examination of human nature. Jan Englert will play the title role in the National Theatre's production.
WAITING FOR GODOT
"What do we do now? Wait. [...] We're waiting for Godot". Piotr Cieplak directs Waiting for Godot by Beckett. Is this a classic yet? Does it still have its avant-garde power?
FREDRO: THE JUBILEE YEAR
To celebrate 230 years since Aleksander Fredro's birth, the National Theatre invites you to an evening dedicated to the life and works of Poland’s greatest comedy writer.
TALES FROM THE VIENNA WOODS
Małgorzata Bogajewska directs for the second time at the National Theatre. This time she draws on Ödön von Horváth's 1931 drama.
THE THEATRE MAKER
The play by Thomas Bernhard, one of the most outstanding playwrights of the second half of the 20th century. In the title role – Jerzy Radziwiłowicz.
ALICE'S WONDERLAND
Have you ever quarreled with the Time or visited a forest where things have no names? Alice’s Wonderland is a musical performance based on the famous novel by Lewis Carroll.
THE MISANTHROPE
Jan Englert stages a classic play by Molière. What is Alcest's misanthropy: an uncompromising commitment to the truth or a doomed uprising against social conventions?
THE DECALOGUE
A meditation upon the moral foundations of the present – an iconic work of Polish cinema, rethought thirty-five years after its creation by Krzysztof Kieślowski and Krzysztof Piesiewicz.
MARY STUART
Grzegorz Wiśniewski returns to the classic drama about human passions interwoven in a ruthless machinery of history and intrigue.
MÜNCHHAUSEN FOR ADULTS
Baron von Münchhausen lived in the 18th century and told incredible stories about himself. Maciej Wojtyszko directs his own play about the famous adventurer and mystifier.
Solidarity with Ukraine | Солідарні з Україною
The ensemble of the National Theatre stands in solidarity with the Ukrainians who are fighting for the independence of their homeland.
PICNIC AT HANGING ROCK
1900. On a hot, stormy day, Mrs Appleyard's boarding school residents go on a picnic near Hanging Rock. The new theatrical version of the Australian prose classics.
SNAKE SKIN
Artur Urbański directs his own play which main character is Ruth Berlau, one of Bertolt Brecht's closest associates and life companions.
AUTUMN SONATA
A story about the need for love and acceptance, about an inherited emotional coldness, about the psychological costs of creativity. A theatrical version of a film script by Ingmar Bergman.
MOTHER JOAN OF THE ANGELS
A performance about the need to experience something that surpasses us. In the title role of the prioress – Małgorzata Kożuchowska.
HOW TO BE LOVED
This is the performance about love and moral responsibility for another person as well as the mechanisms controlling human memory. The dramatisation of the story by Kazimierz Brandys.
LUNGS
Briliant, full of humour and touching love story of a young couple. Breakups and comebacks, passion and sex, the first important decisions and the search for meaning in a complex, modern world.
UHLANS
The Museum of All-Time Polish Uhlans. Exhibits of the national exacerbation. A serious comedy in three acts about the entanglement in myths of Polishness.
THE IMAGE MAKERS
The truth about the essence of creation and responsibility in art. Director Viktor Sjöström is working on the film The Phantom Carriage, based on the novel by Nobel Prize winner Selma Lagerlöf.
FOREFATHER'S EVE
Mickiewicz's poetic drama interpreted by Lithuanian Master Eimuntas Nekrošius — theatre visionary known for his unique theatrical language.
KORDIAN
The Polish nation's tragic choice: to die heroically in the name of a noble idea or live a life "making shoes for dogs"? — the alternative presented to Kordian in two parables.
FLEA THE SWINDLER
Tremendous fun and great laughs – not just for kids. The antics of the Flea are directed by Anna Seniuk with the music composed by Maciej Małecki.
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